In the 1960s, the idea of sending up popular culture was so fresh it could still be considered daring — “Monster Mash” was a Top 10 Halloween hit in 1962 and Batman was on TV in 1966, the same year ...
Just two years after Susan Sontag wrote her 1964 essay “Notes on Camp,” the musical “Dames at Sea” opened at the tiny Manhattan cabaret Caffé Cino. The so-bad-it’s-good aesthetic had been given a name ...
Plus, get the best of BroadwayWorld delivered to your inbox, and unlimited access to our editorial content across the globe. The Busby Berkeley "Gold Diggers" shows aren't the only things spoofed in ...
Reimagining the Busby Berkeley-era extravaganza in miniature, the 1968 off-Broadway hit shuffles uptown with its perky homage to 1930s movie musicals. By David Rooney Chief Film Critic Whether there’s ...
1 Back to Nubia: Stories from the Making of AIDA After 25 Years "It was in the garbage can at Caffe Cino," says Robert Dahdah, who directed its premiere production in 1966. "Joe (Cino) had been ...
As soon as movies began to talk, they started to sing, and to dance. Finally, music and dance could be recorded together in sync for exhibition to mass audiences and preserved for future generations.
The classic films of director and choreographer Busby Berkeley often featured hundreds of dancers performing routines for Broadway musicals that could never fit on a real stage. But "Dames at Sea," ...
In the musical “Dames at Sea” at Florida Studio Theatre, Emily Ann Brooks plays a young woman who practically dances her way off a bus from her hometown in Utah onto Broadway. Her character is named ...
FROM 1933 through 1938, choreographer and director Busby Berkeley created surreal, swirling and outrageously extravagant musical numbers for Warner Bros. musicals. Berkeley loved tight close-ups of ...
Warner Bros. has optioned the biography Buzz: The Life and Art of Busby Berkeley, written by Jeffrey Spivak. THR reports Ryan Gosling and Marc Platt (Drive) will produce. They are developing the ...
The real stars of Busby Berkeley musicals aren’t Ginger Rogers or Dick Powell or even Carmen Miranda. They’re Busby Berkeley. The ideal Busby number goes something like this: Two matinee idols actors ...